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"Songs of the Sea", Sentosa, Singapore, 2007 to 2014

The unique scenography of this spectacular multimedia show consists of a 120-meter-long traditional fishing village set in the sea that is the stunning backdrop for an array of multimedia effects. Three water screens, includingone 50 meters wide; 69 water jets reaching 40, 20 and 16 meters; 19 flames, pyrotechnics, 7 lasers, 480 light fixtures, video, sound and mist are combined with 7 live performers to tell a story of magic and music.Sentosa Island's iconic multimedia show has been running for more than 7 years in seawater conditions.

A young man gifted with a beautiful voice, goes on a quest to free a princess from an evil spell. Helped by his friends, strange sea creatures, and impressive spirits, he will sing his way through every obstacle to achieve his goal, for the pleasure of 6, 000 spectators every evening.

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Alpine A390 - The Anomaly

Alpine A390 - The Anomaly

Six months after its first appearance in Alpine’s 70th anniversary film, the A390 takes centre stage in “The Anomaly”, imagined by Maison BETC for the launch of Alpine’s first 100% electric sport fastback.

Directed by Nicolai Fuglsig and produced by Wanda, the film explores a dystopian future where automation has erased freedom, until one woman takes back the wheel of the Alpine A390. Her act of rebellion restores emotion, agility and the pure pleasure of driving that have defined Alpine for over 70 years.

Blending live action and CGI and set to Fauré’s Requiem, the film celebrates driving in the electric era. The Mill crafted and supervised all VFX on the project. A campaign driven by ambition and emotion, created entirely by our artists through a fully hands on and deeply human creative process, without the use of generative AI.

The Mill - Publicis Lion

The Mill - Publicis Lion

A century in motion. For Publicis Groupe, our 3D and VFX teams built a visual story of resilience, evolution and reinvention.

At the center stands the Lion, the main character of the campaign.

The Mill, experts in CG animals, shaped every stage of the process, from modeling, rigging and skeletal structure to musculature, posture and fur, using traditional VFX techniques to give the lion presence, attitude and credibility on screen, before collaborating seamlessly with Prodigious on the wider campaign delivery

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