Video

BRINGING EMOTIONS INTO IMAGES

Drop The Spoon was founded in 2015 by Patrick Neys and Jean-Luc Gason. Both had spent over fifteen years on major live productions, working alongside Franco Dragone on shows like CélineDion's A New Day, Le Rêve, The House of Dancing Water, The Han Show, Paris Merveilles and La Perle. That experience taught them to treat video as a living part of the performance, not as scenery on a wall. They founded Drop The Spoon to take that idea further. Ten years later, the studio has built projects across Europe, Asia, the Middle East and North America. From Bastogneto Bruno Mars, every show is another spoon dropped.

The ideas move fast

Drop The Spoon stays involved from creative concept through to final show, working alongside directors, lighting designers, choreographers and stage engineers. Content is built in relation to the space, the sound, the performers and the physical elements of the production, whether that means water, ice, architecture or a 360-degree stage. The studio's method comes straight from the theatre. Directors need to see propositions before they commit to an idea, so the team prototypes and fine-tunes on site, during rehearsals. Content evolves in real time until it fits. A mapping on a cathedral or a product launch on a custom stage,

Based just outside of Boston, RLMG is a highly collaborative team of 45. We’re proud to be an employee-owned company, a collective of design thinkers that channel our voracious curiosity as we work closely with clients and partners to transform content into meaningful, memorable, imaginative experiences. Wonder, joy, innovation, and the love of learning drive us.

Our projects span museums, visitor centers, children’s museums, brand experiences, halls of fame, websites and mobile apps, libraries, and experiential work.

Our Capabilities:

• Strategy & Concept
• Design Development & Prototyping
• Interactive Design & Creative Technology
• Film & Linear Media
• Animation & Motion Graphics
• Immersive Audio & Video
• Project Management

Case Studies

Montana Heritage Center

Our work at the Montana Heritage Center spans centuries of state history, bringing visitors face to face with compelling figures who call Montana home. Among the highlight experiences is the Mineshaft, an immersive “ride” experience complete with a motion platform, fully immersive media, sound, lighting, and scenic elements. Visitors step into the cage of a mining elevator and plunge deep into the Earth. Combining animation with digitally-enhanced archival mining footage from 1925, the displays transport people into the mines and into the lives of miners. Reinventing the use of archival imagery, the Mineshaft exhibit brings a bespoke piece of themed entertainment to the history museum space.

Ruckus!, Old South Meeting House

Setting a new standard for heritage tourism, our immersive show Ruckus! transforms a historic structure into a time machine. Located along Boston’s highly trafficked Freedom Trail, this 27-minute animated production at the Old South Meeting House is a history of the pivotal events of the American Revolution in Boston. Animated figures take over the walls of this National Historic Landmark, using projection mapping, transparent OLED screens, dramatic lighting, and surround sound to immerse visitors in this narrative while preserving the space’s original architecture. We love starting from a place of authenticity – drawing from historic objects, stories, buildings, and people – to create memorable, immersive experiences that become tourism highlights for both locals and visitors.

Other Notable Projects:

• Lincoln Memorial Undercroft
• Theodore Roosevelt Presidential Library
• Museum of Utah
• Kamin Science Center
• North Carolina Museum of Life and Sciences
• Supreme Court of the United States

Declan O'mara

Declan O'mara is an award-winning Executive Creative Director and Founder / CEO of Dead Skull. With over 17 years of experience across multiple creative industries, his multidisciplinary Swiss Army Knife of skill sets includes creative leadership, nighttime spectaculars, attraction design, 3D projection mapping, immersive guest experiences, and many other multimedia disciplines. Declan brings ideas across the world to life, working alongside some of the biggest artists, brands, and IPs. His dedication to the industry elevates storytelling and guest experience, as he continues to push the envelope to perfect his craft. He has created his own 3D projection mapping live show, "Invasion:Live", and contributed to some of the biggest attractions in the world. Declan's mission is to deliver incredible experiences for guests of all ages, creating technologically advanced attractions and shows across the world.

Nice Shoes is a premium content creation studio with 30 years of proven expertise delivering high-end visual storytelling for the world's most demanding clients. Recent projects include immersive installations for the National Museum of Qatar, experiential content for Dolby at SXSW, in-venue presentations for the New York Mets, and large-format content for The Sphere in Las Vegas.

What sets Nice Shoes apart is our people. We bring together artists with decades of traditional filmmaking experience alongside specialists in real-time rendering, interactive systems, and emerging tools like AI-assisted workflows. This combination delivers refined craft with the efficiency of modern production pipelines.

Our international network of artists means we can scale to meet any project's needs. Whether it's a boutique installation or a large-scale attraction, we assemble the right team for the work.

We partner with experience designers, architects, and creative agencies who need a production team that can match their ambition with execution. Our sweet spot is work that demands both creative vision and technical depth: projection-mapped environments, interactive installations, real-time rendered content, and media for permanent attractions.

From our studios in New York, we've built a reputation for uncompromising quality and the ability to deliver under pressure. Three decades in business have taught us that great experiences start with great stories. Technology serves the narrative, not the other way around.