The goal for Europa-Park was to replace the Russian-themed Euro-Mir experience with a new space-themed attraction tied to the European Space Agency, thereby bringing things up to a more modern technological standard.
As I’ve mentioned in a previous article, we’ve watched Disney continue to struggle over the decades with how to keep its Tomorrowland areas both futuristic and aligned with current expectations for future technology.
This has resulted in the actual abandonment of the initial core concept of what Tomorrowland was first designed as at Disneyland in favor of new and more fictionalized concepts of the future, such as Discoveryland at Disneyland Paris, or the embracement of more fictionalized sci-fi IP concepts like Star Wars or Tron.
With that in mind, it is nice to see Europa-Park embrace the real-world concepts of the European Space Agency, aiming to create a new adventure experience that takes guests on a “journey into space” in 2028.
Before the announced retirement of Euro-Mir in 2026, the park also had the previous version of the EuroSat coaster.
This previously offered a more Space Mountain-esque style experience up through 2017, before the park gutted and rebuilt the entire ride inside the park’s iconic sphere structure and gave it a new French Moulin Rouge theme when it reopened in 2018 as the EuroSat - CanCan Coaster.
Ride music and indelible memories
The loss of the original EuroSat and the upcoming loss of Euro-Mir really got me thinking.
While the Euro-Mir coaster itself is very unique and fun (and a bit rough in spots), one of the most iconic memories I think most guests have embedded in their brains from the experience is the iconic music soundtrack that is played for a nearly two-and-a-half-minute-long climb up a spiral-lift hill, almost entirely in the dark.
There is very little else to look at as you spiral in almost complete darkness to the pulse-pounding techno-soundtrack of Euro-Mir, climbing 92 feet to the top of the structure, where you are ejected out into the open air once again, and the music finally fades.
It matters not, however, as somehow Europa-Park has created an environmental experience in which that music track is etched into riders' brains…forever. I took my first and last rides on Euro-Mir back in 2017, and if I close my eyes, I can still recall the soundtrack in my head, clear as day.
Euro-MirImage credit Europa-Park
For many, I think the upcoming closure of Euro-Mir will represent a double-loss… a loss of the attraction itself, but also of the iconic earworm of a soundtrack.
So I decided to put together a list of some of the best and most memorable music played on popular theme park attractions. These tracks are the kind of things that you will likely still be able to hear inside your head, even if you haven’t been to the park in years.
And please do forgive me in advance if a large number of these end up being Disney attractions… they really wrote the book on creating memorable music.
That said, let’s start with the king of them all: It’s A Small World, on the It's a Small World rides at Disneyland in California, and four other locations.
Disney's classic theme park ride music
Originally created as a temporary attraction for the 1964 New York World’s Fair, it was relocated and opened permanently at Disneyland in 1966, then copied at Walt Disney World’s Magic Kingdom in 1971, Tokyo Disneyland in 1983, Disneyland Paris in 1992, and finally at Hong Kong Disneyland in 2008.
This is perhaps the best-known theme park song in the world, created by the Sherman Brothers and featuring lyrics sung by children from around the world in their native tongues.
In 2025, as part of Disneyland’s 70th Anniversary, an updated version of the song was added to the original ride that featured a third verse of the song that was never previously included on the rides.
Grim Grinning Ghosts on The Haunted Mansion at Disneyland in California, Magic Kingdom in Florida, and Tokyo Disneyland in Japan is another endless sing-along-style track that quickly entered the minds of theme park guests worldwide.
The song is credited to Buddy Baker (music) and Xavier Atencio (lyrics). A slightly different version of the attraction at Disneyland Paris, Phantom Manor, features mostly new music but pays homage to the original at times.
Completing the trio of Disney’s three best-known soundtracks would be the popular Yo Ho (A Pirate’s Life For Me) on Pirates of the Caribbean at Disneyland, Magic Kingdom, Tokyo Disneyland, Disneyland Paris, and Shanghai Disneyland, credited to George Bruns and Xavier Atencio.
The theme of the original attraction concept, which was installed at four Disney parks, also inspired a series of feature films based on the IP.
Characters and themes from the film IPs were then later added to the existing rides and served as the basis for a unique new version of the attraction built at Shanghai Disneyland, themed entirely to the film series called Pirates of the Caribbean: Battle for the Sunken Treasure, which also features the Yo Ho song in part of the attraction as well.
Putting existing soundtracks to use
While on the subject of movies, many theme parks feature famous soundtrack scores on their attractions as well, though re-recorded or edited to better suit the pacing and sequences of the rides.
Many of the Harry Potter-themed attractions at Universal theme parks have made extensive use of the soundtracks from the 11 Wizarding World films released thus far by Warner Bros.
This includes Harry Potter and the Forbidden Journey, Harry Potter and the Escape from Gringotts, Hagrid’s Magical Creatures Motorbike Adventure, and even the new Harry Potter and the Battle at the Ministry ride at Epic Universe.
Harry Potter and the Forbidden Journey
Universal has also been able to do this with attractions themed to various movies, such as the Jurassic Park/Jurassic World themed water flume rides and VelociCoaster, as well as attractions themed to many other films like Transformers: The Ride, Men In Black, The Simpsons, How To Train Your Dragon, Jaws, Skull Island and more.
At the same time, Universal is also responsible for a large number of attractions where custom music had to be created just for the attraction, such as the Adventures of Spider-Man, the Incredible Hulk coaster, The Cat in the Hat, One-Fish Two-Fish, Red-Fish, Blue Fish, Mario Kart: Bowser's Challenge, and Stardust Racers.
Not to mention the incredibly impressive score by Danny Elfman for the new Monsters Unchained: The Frankenstein Experiment dark ride at Epic Universe.
Star Wars, Marvel, and more
Disney has also borrowed from a movie soundtrack or two over the years.
The classic themes from the Star Wars films have been used over the years for attractions ranging from the original and current versions of Star Tours to Millennium Falcon: Smugglers Run, and even the epic Star Wars: Rise of the Resistance dark-ride extraordinaire makes use of the famous scores by John Williams.
The love for John Williams doesn’t end there. His famous scores are put to use on the Indiana Jones Adventure dark rides, the stunt-show and most likely on the upcoming Indiana Jones dark ride coming to Disney’s Animal Kingdom as a replacement for the now closed Dinosaur dark ride (formerly known as: Countdown to Extinction).
Also, more recently, Disney has included tracks from Tron Legacy and the new Tron Ares films to use on the Tron: Lightcycle coasters in Florida and China.
See also: TRON Lightcycle / Run: how sound can transport guests to another world
The use of music you’ve heard before has also played a great part in the success of some of the more recent Marvel-themed attractions in the parks, especially where the Guardians of the Galaxy are concerned.
Following the atmosphere of the film series helmed by director James Gunn, the Guardians films make extensive use of classic rock tracks from years past to create some of the most memorable moments in each film.
As such, music plays a huge part in the theme park attraction experience at both Guardians of the Galaxy: Cosmic Rewind at Epcot and Guardians of the Galaxy: Mission: Breakout! at Disney California Adventure.
The former Twilight Zone: Tower of Terror attraction in California was converted into a new Guardians-themed attraction, where riders can experience the ups and downs of the thrill ride to one of six randomly selected soundtracks.
These are Hit Me With Your Best Shot by Pat Benatar, Give Up the Funk by Parliament, Born to Be Wild by Steppenwolf, I Want You Back by Jackson 5, Free Ride by Edgar Winter Group, or Burning Love by Elvis Presley.
Guardians of the Galaxy: Cosmic Rewind
Similarly, Cosmic Rewind in Epcot also blasts riders with one of six random soundtracks: September by Earth, Wind & Fire, Disco Inferno by The Trammps, Conga by Gloria Estefan, Everybody Wants To Rule The World by Tears For Fears, I Ran So Far Away by Flock of Seagulls and One Way Or Another by Blondie.
While riders may debate about which track is their favorite, it also creates a huge extra demand on these attractions as guests jump in line again and again for the chance to ride it with an entirely different audio soundtrack.
Fun note: if you visit Epcot on 21 September, Disney has thus far reprogrammed the attraction to only play September from Earth, Wind and Fire in reference to the song lyrics.
Classic rock brings the atmosphere
The Guardians of the Galaxy were not the first dark roller coaster to ‘rock’, however, as that special first would go to Disneyland’s version of Space Mountain.
While the attraction first opened in 1977, Disney Imagineers came up with the idea of adding an on-board soundtrack and speakers to the roller coaster cars in 1996.
For this monumental feat, Disney came up with something really special and brought in the famed guitarist Dick Dale, known as the “King of the Surf Guitar” rock sound, to record a “surf-rock” version of Camille Saint-Saens' Aquarium from The Carnival of the Animals.
The collective response from riders after the change was unanimous and extremely positive.
In fact, it wasn’t long before Disney fans began demanding that the same kind of change be made to Disney’s other roller coasters, but unfortunately, the Matterhorn and the smaller Space Mountain cars used in Florida were not big enough to accommodate the extra hardware required.
Space Mountain at Disneyland Resort
From 2003 to 2005, Disneyland closed its Space Mountain to rebuild the roller coaster with all-new track, and in 2005, replaced the beloved Dick Dale guitar with an all-new score by Michael Giacchino, known for his soundtrack work on Disney/Pixar’s The Incredibles films.
Many forget that Disneyland’s Space Mountain was not the first roller coaster to feature an on-board synchronized soundtrack.
That honor actually goes to the Space Mountain at Disneyland Paris, which opened a year before in 1995 with a Jules Verne from the Earth to the Moon theme, and a classical film-style score of its own that guests loved. Over the years, the soundtrack and theme have been replaced by the current Star Wars-themed Hyperspace Mountain.
When Disney built Hong Kong Disneyland, the Space Mountain there featured a layout that was very similar to the Disneyland version and offered the same Michael Giacchino score. Over the years, the park has also changed its attraction into Hyperspace Mountain with a similar Star Wars theme and score to the one in Paris.
This same conversion is also used for limited-time events (Season of the Force) at Disneyland
Ride soundtracks give an emotional boost
The music you listen to on these attractions can really have a great emotional impact on your experience, and as proven on the Guardians of the Galaxy themed rides, what soundtrack you happen to get on any given ride can and will give you a different kind of emotional boost while you ride, depending on your personal feelings toward each song.
The bottom line is that no matter which track you like the best, they each make you feel a little different from the rest, which in the end is the goal of the entire experience… to make you have a memorable experience that you will remember for years to come.
Fantasmic!
It doesn’t matter if you remember singing along to One Little Spark on the original Journey Into Imagination attraction at Epcot, or if you leave the Carousel of Progress at the Magic Kingdom humming along to There’s a Great Big Beautiful Tomorrow.
The fact of it all is that the music does matter, and it can be why epic shows like Fantasmic! or the former IllumiNations: Reflections of Earth leave you feeling so good after the show is over, and it might be why many Disney fans still miss singing Zip-a-Dee-Doo-Dah, now that Disney has retired Splash Mountain and converted it into Tiana’s Bayou Adventure.
Fun fact: You can still Zip-a-Dee-Doo-Dah if you visit Tokyo Disneyland, where their Splash Mountain ride remains unchanged, though you may pick up a few of the Japanese version’s lyrics along the way.
Euro-MirImage credit Europa-Park
Harry Potter and the Forbidden Journey 
Guardians of the Galaxy: Cosmic Rewind 
Space Mountain at Disneyland Resort 
Fantasmic! 
